Analyzing the Content of Poetry - CLEP Humanities

The Aeneid, written by the poet Vergil between 29 and 19 BCE, tells the story of Aeneas, a Trojan hero and the mythical founder of Rome. As such, the story is both a continuation of Homer's Iliad, and serves as a founding myth for the Roman people. Vergil's poem traces how Aeneas fled Troy, led a Trojan fleet, and eventually settled in Italy.

The Divine Comedy tells the story of its author, Dante, traveling through the different realms of Hell, Purgatory, and Heaven, all to find what happened to his deceased lover, Beatrice. The work is divided into three separate sections between Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Heaven). The whole work is an allegory for the soul's journey to God, as expressed in Medieval Catholic theology.

Sultan Saladin is the correct answer. He was placed in limbo because he was an honorable man, despite being a non-Christian. Sultan Saladin was a contemporary of Richard the Lionheart and conquered Jerusalem in the Second and Third Crusades. Others in limbo in The Divine Comedy include Julius Caesar, Hector, and Avicenna.

The poem "The Charge of the Light Brigade" was written in 1854 to commemorate the same event in the Crimean War, where a British brigade made a nearly suicidal charge at the Battle of Balaclava. Published just six weeks after the event, Alfred, Lord Tennyson's poem is a famous poetic depiction of heroic soldiering from the mid-nineteenth century, with its recitation of the marching, drilling, and cannon fire of the battle.

A rhyme scheme identified by letter describes each rhyme with the same letter. Thus, since the poem's first and third lines rhyme, the first stanza should be marked as ABAB. Because the second stanza has a new rhyming word, the second stanza should be marked CDCD.

In this poem, Dickinson has death something that has "stopped for me," a thing that can know, and that has "Civility." These are all features of a person, despite "death" technically being an event or abstract idea. Making an abstract idea have human traits is called "personification."

The very first character introduced into Milton's narrative in Paradise Lost is Satan. While telling the story of Adam and Eve in a new way, the narrative unfolds from Satan's perspective. Milton's epic poem has greatly contributed to the character of Satan in the Western literary tradition.

The poem describes a woman's body as "cold" and "dumb," and that it needs to be covered by a sheet, indicating that she is dead. The rest of the poem described gathering people for some kind of event where she is central. Thus, the poem is about a funeral or wake.

The poem features a narrator who is attempting to gather everyone for the event. So even though the narrator has a slightly detached view of the event ("Let be be the finale of seem"), the narrator is also deeply involved. There is also a sense of wonder throughout the poem, largely thanks to the narrator's own involvement in the strange circumstances.

(Passage adapted from "The Emperor of Ice-Cream" by Wallace Stevens)

The Aeneid, written by the poet Vergil between 29 and 19 BCE, tells the story of Aeneas, a Trojan hero and the mythical founder of Rome. As such, the story is both a continuation of Homer's Iliad, and serves as a founding myth for the Roman people. Vergil's poem traces how Aeneas fled Troy, led a Trojan fleet, and eventually settled in Italy.

The Divine Comedy tells the story of its author, Dante, traveling through the different realms of Hell, Purgatory, and Heaven, all to find what happened to his deceased lover, Beatrice. The work is divided into three separate sections between Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Heaven). The whole work is an allegory for the soul's journey to God, as expressed in Medieval Catholic theology.

Sultan Saladin is the correct answer. He was placed in limbo because he was an honorable man, despite being a non-Christian. Sultan Saladin was a contemporary of Richard the Lionheart and conquered Jerusalem in the Second and Third Crusades. Others in limbo in The Divine Comedy include Julius Caesar, Hector, and Avicenna.

The poem "The Charge of the Light Brigade" was written in 1854 to commemorate the same event in the Crimean War, where a British brigade made a nearly suicidal charge at the Battle of Balaclava. Published just six weeks after the event, Alfred, Lord Tennyson's poem is a famous poetic depiction of heroic soldiering from the mid-nineteenth century, with its recitation of the marching, drilling, and cannon fire of the battle.

A rhyme scheme identified by letter describes each rhyme with the same letter. Thus, since the poem's first and third lines rhyme, the first stanza should be marked as ABAB. Because the second stanza has a new rhyming word, the second stanza should be marked CDCD.

In this poem, Dickinson has death something that has "stopped for me," a thing that can know, and that has "Civility." These are all features of a person, despite "death" technically being an event or abstract idea. Making an abstract idea have human traits is called "personification."

The very first character introduced into Milton's narrative in Paradise Lost is Satan. While telling the story of Adam and Eve in a new way, the narrative unfolds from Satan's perspective. Milton's epic poem has greatly contributed to the character of Satan in the Western literary tradition.

The poem describes a woman's body as "cold" and "dumb," and that it needs to be covered by a sheet, indicating that she is dead. The rest of the poem described gathering people for some kind of event where she is central. Thus, the poem is about a funeral or wake.

The poem features a narrator who is attempting to gather everyone for the event. So even though the narrator has a slightly detached view of the event ("Let be be the finale of seem"), the narrator is also deeply involved. There is also a sense of wonder throughout the poem, largely thanks to the narrator's own involvement in the strange circumstances.

(Passage adapted from "The Emperor of Ice-Cream" by Wallace Stevens)

Allen Ginsberg's "Howl" is considered the preeminent Beat-era poem, with its stark descriptions of drugs and sexual acts, as well as its use of a blank verse form inspired by jazz. Ginsberg gained instant notoriety when "Howl" was published in 1957, and was brought forward in an obscenity trial in Ginsberg's native California in 1959.