Rhetorical Functions - English Language Proficiency Test

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1 "Camelot—Camelot," said I to myself. 2 "I don't seem to remember hearing of it before… Name of the asylum, likely."

3 It was a soft, reposeful summer landscape, as lovely as a dream, and as lonesome as Sunday. 4 The air was full of the smell of flowers, and the buzzing of insects, and the twittering of birds, and there were no people, no wagons, there was no stir of life, nothing going on. 5 The road was mainly a winding path with hoof-prints in it, and now and then a faint trace of wheels on either side in the grass—wheels that apparently had a tire as broad as one's hand.

6 Presently a fair slip of a girl, about ten years old, with a cataract of golden hair streaming down over her shoulders, came along. … 7 The circus man paid no attention to her; didn't even seem to see her. 8 And she—she was no more startled at his fantastic make-up than if she was used to his like every day of her life. 9 She was going by as indifferently as she might have gone by a couple of cows; but when she happened to notice me, then there was a change! 10 Up went her hands, and she was turned to stone; her mouth dropped open, her eyes stared wide and timorously, she was the picture of astonished curiosity touched with fear. 11 And there she stood gazing, in a sort of stupefied fascination, till we turned a corner of the wood and were lost to her view. 12 That she should be startled at me instead of at the other man, was too many for me; I couldn't make head or tail of it.

What role does the “circus man” (Sentence 7) play in the passage?

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Answer

The circus man is a further example of things being unsettling for the main character. We read in Sentence 8 that the young girl is “no more startled at his \[the circus man’s\] fantastic make-up than if she was used to his like every day of her life,” and yet the main character himself is obviously shocked by the main’s appearance. The circus man does not challenge or subvert his readers’ expectations, but he does challenge the main character’s.

Passage adapted from Mark Twain’s A Connecticut Yankee in King Arthur’s Court (1889)

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