Reading Comprehension - TOEIC
Card 1 of 312
Paris is the culinary center of the world. All the great missionaries of good cookery have gone forth from it, and its cuisine was, is, and ever will be the supreme expression of one of the greatest arts in the world. Most of the good cooks come from the south of France, most of the good food comes from the north. They meet at Paris, and thus the Paris cuisine, which is that of the nation and that of the civilized world, is created.
Adapted from The Gourmet's Guide to Europe, by Lieut.-Col. Newnham-Davis and Agernon Bastard (1903)
According to the passage, what is one of the reasons that Paris has become the culinary center of the world?
Paris is the culinary center of the world. All the great missionaries of good cookery have gone forth from it, and its cuisine was, is, and ever will be the supreme expression of one of the greatest arts in the world. Most of the good cooks come from the south of France, most of the good food comes from the north. They meet at Paris, and thus the Paris cuisine, which is that of the nation and that of the civilized world, is created.
Adapted from The Gourmet's Guide to Europe, by Lieut.-Col. Newnham-Davis and Agernon Bastard (1903)
According to the passage, what is one of the reasons that Paris has become the culinary center of the world?
Tap to reveal answer
The correct answer is "Good chefs from the south and good food from the north converge in Paris." We know that this is the best choice because the passage states that "Most of the good cooks come from the south of France, most of the good food comes from the north. They meet at Paris, and thus the Paris cuisine, which is that of the nation and that of the civilized world, is created."
The correct answer is "Good chefs from the south and good food from the north converge in Paris." We know that this is the best choice because the passage states that "Most of the good cooks come from the south of France, most of the good food comes from the north. They meet at Paris, and thus the Paris cuisine, which is that of the nation and that of the civilized world, is created."
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If you wanted to build a house, of what should you build it? In a new country, people generally use wood; but after a time wood grows expensive. Moreover, wood catches fire easily; therefore, as a country becomes more thickly settled and people live close together in cities, stone and brick are used. Large cities do not allow the building of wooden houses within a certain distance from the center, and sometimes even the use of wooden shingles is forbidden. Of late years large numbers of "concrete" or "cement" houses have been built. Our grandfathers would have opened their eyes wide at the suggestion of a house built of sand, and would have felt anxious at every rainfall lest their homes should suddenly melt away. Even after thousands of concrete buildings were in use, many people still feared that they would not stand the cold winters and hot summers of the United States; but it has been proved that concrete is a success provided it is properly made.
From Diggers in the Earth by Eva March Tappan (1919)
What was the main cause of the switch from wood to cement buildings, especially in cities?
If you wanted to build a house, of what should you build it? In a new country, people generally use wood; but after a time wood grows expensive. Moreover, wood catches fire easily; therefore, as a country becomes more thickly settled and people live close together in cities, stone and brick are used. Large cities do not allow the building of wooden houses within a certain distance from the center, and sometimes even the use of wooden shingles is forbidden. Of late years large numbers of "concrete" or "cement" houses have been built. Our grandfathers would have opened their eyes wide at the suggestion of a house built of sand, and would have felt anxious at every rainfall lest their homes should suddenly melt away. Even after thousands of concrete buildings were in use, many people still feared that they would not stand the cold winters and hot summers of the United States; but it has been proved that concrete is a success provided it is properly made.
From Diggers in the Earth by Eva March Tappan (1919)
What was the main cause of the switch from wood to cement buildings, especially in cities?
Tap to reveal answer
The answer is "fear of fires." The passage states "moreover, wood catches fire easily; therefore, as a country becomes more thickly settled and people live close together in cities, stone and brick are used." While the cost of wood is one of the reasons, it is not the main reason as emphasized in this passage. There is no mention of a lack of forests or regional disputes over land, so "fear of fires" is the best answer.
The answer is "fear of fires." The passage states "moreover, wood catches fire easily; therefore, as a country becomes more thickly settled and people live close together in cities, stone and brick are used." While the cost of wood is one of the reasons, it is not the main reason as emphasized in this passage. There is no mention of a lack of forests or regional disputes over land, so "fear of fires" is the best answer.
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About forty years ago, M. Henry Dimont, a native of Switzerland, having witnessed the unnecessary suffering of the wounded, from lack of care, at the battle of Solferino, was so much impressed that he published a book, pointing out the necessity of forming a corporation of nurses to work in the cause of humanity in time of war, regardless of nationality of the injured, and who should be permitted to aid the wounded on the battle-field, under the protection of a flag which should be recognized as neutral.
So much interest was taken in the idea that the outcome was a convention held at Geneva in 1864, which was attended by representatives from sixteen of the great nations of the world, who signed an agreement that they would protect members of the association when caring for the wounded on the field of battle. The society adopted for its colors the Swiss cross, as a compliment to its birthplace; they, however, reversed the colors, and the flag is therefore a red cross on a white field, and is the only military hospital flag of civilized warfare; it protects persons from molestation who work under the emblem performing services in aid of the wounded.
It was decided that the work of the Red Cross Society should not be confined to times of war, but that in case of disasters and calamities, which were always to be apprehended, the organization was to provide aid. During the past seventeen years the American Red Cross Society has served in fifteen disasters and famines, and Russians, Armenians, and Cubans have received aid from this society.
Adapted from The Great Wide World, Vol. II No. 24, by C. F. Kroeh (1898)
Which of the following was the cause of the founding of the Red Cross Society?
About forty years ago, M. Henry Dimont, a native of Switzerland, having witnessed the unnecessary suffering of the wounded, from lack of care, at the battle of Solferino, was so much impressed that he published a book, pointing out the necessity of forming a corporation of nurses to work in the cause of humanity in time of war, regardless of nationality of the injured, and who should be permitted to aid the wounded on the battle-field, under the protection of a flag which should be recognized as neutral.
So much interest was taken in the idea that the outcome was a convention held at Geneva in 1864, which was attended by representatives from sixteen of the great nations of the world, who signed an agreement that they would protect members of the association when caring for the wounded on the field of battle. The society adopted for its colors the Swiss cross, as a compliment to its birthplace; they, however, reversed the colors, and the flag is therefore a red cross on a white field, and is the only military hospital flag of civilized warfare; it protects persons from molestation who work under the emblem performing services in aid of the wounded.
It was decided that the work of the Red Cross Society should not be confined to times of war, but that in case of disasters and calamities, which were always to be apprehended, the organization was to provide aid. During the past seventeen years the American Red Cross Society has served in fifteen disasters and famines, and Russians, Armenians, and Cubans have received aid from this society.
Adapted from The Great Wide World, Vol. II No. 24, by C. F. Kroeh (1898)
Which of the following was the cause of the founding of the Red Cross Society?
Tap to reveal answer
The correct answer is "The work of M. Henry Dimont." The first paragraph tells us that M. Henry Dimont was a witness to unnecessary suffering from soldiers on the battlefield, and later published a book about it which led to great interest and the eventual action from major countries, who came together to form the Red Cross. The lack of medical training, confusion over flags, or disasters in other countries are not mentioned as causes of the formation of the Red Cross. For these reasons, "The work of M. Henry Dimont" is the best choice.
The correct answer is "The work of M. Henry Dimont." The first paragraph tells us that M. Henry Dimont was a witness to unnecessary suffering from soldiers on the battlefield, and later published a book about it which led to great interest and the eventual action from major countries, who came together to form the Red Cross. The lack of medical training, confusion over flags, or disasters in other countries are not mentioned as causes of the formation of the Red Cross. For these reasons, "The work of M. Henry Dimont" is the best choice.
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A pigeon who was very thirsty saw a goblet of water painted on a signboard.
Without stopping to see what it was, she flew to it with a loud whir, and dashing against the signboard, jarred herself terribly. Having broken her wings, she fell to the ground, and was caught by a man, who said, “Your zeal should never outrun your caution.”
--Aesop's Fables: A Version for Young Readers by J.H. Stickney (1915)
What caused the pigeon to break its wings?
A pigeon who was very thirsty saw a goblet of water painted on a signboard.
Without stopping to see what it was, she flew to it with a loud whir, and dashing against the signboard, jarred herself terribly. Having broken her wings, she fell to the ground, and was caught by a man, who said, “Your zeal should never outrun your caution.”
--Aesop's Fables: A Version for Young Readers by J.H. Stickney (1915)
What caused the pigeon to break its wings?
Tap to reveal answer
The correct answer is "It flew into a wall, thinking it was a goblet of water." This answer can be found in the first two sentence of the passage: "A pigeon who was very thirsty saw a goblet of water painted on a signboard. Without stopping to see what it was, she flew to it with a loud whir, and dashing against the signboard." The man who later appears in the passage was not a hunter, and there is no evidence to suggest that the pigeon never learned to fly. For these reasons, the best choice is "It flew into a wall, thinking it was a goblet of water."
The correct answer is "It flew into a wall, thinking it was a goblet of water." This answer can be found in the first two sentence of the passage: "A pigeon who was very thirsty saw a goblet of water painted on a signboard. Without stopping to see what it was, she flew to it with a loud whir, and dashing against the signboard." The man who later appears in the passage was not a hunter, and there is no evidence to suggest that the pigeon never learned to fly. For these reasons, the best choice is "It flew into a wall, thinking it was a goblet of water."
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An ant, walking by the river one day, said to himself, “How nice and cool this water looks! I must drink some of it.” But as he began to drink, his foot slipped, and he fell in.
“Oh, somebody please help me, or I shall drown!” cried he.
A Dove, sitting in a tree that overhung the river, heard him, and threw him a leaf. “Climb up on that leaf,” said she, “and you will float ashore.”
The Ant climbed up onto the leaf, which the wind blew to the shore, and he stepped upon dry land again.
“Good-by, kind Dove,” said he, as he ran home. “You have saved my life, and I wish I could do something for you.”
“Good-by,” said the Dove; “be careful not to fall in again.”
A few days after this, when the Dove was busy building her nest, the Ant saw a man just raising his gun to shoot her.
He ran quickly, and bit the man’s leg so hard that he cried “Oh! oh!” and dropped his gun.
This startled the Dove, and she flew away. The man picked up his gun, and walked on.
When he was gone, the Dove came back to her nest.
“Thank you, my little friend,” she said. “You have saved my life.”
And the little Ant was overjoyed to think he had been able to do for the Dove what the Dove had so lately done for him.
Aesop's Fables: A Version for Young Readers by J.H. Stickney (1915)
What caused the man to walk away without shooting the dove?
An ant, walking by the river one day, said to himself, “How nice and cool this water looks! I must drink some of it.” But as he began to drink, his foot slipped, and he fell in.
“Oh, somebody please help me, or I shall drown!” cried he.
A Dove, sitting in a tree that overhung the river, heard him, and threw him a leaf. “Climb up on that leaf,” said she, “and you will float ashore.”
The Ant climbed up onto the leaf, which the wind blew to the shore, and he stepped upon dry land again.
“Good-by, kind Dove,” said he, as he ran home. “You have saved my life, and I wish I could do something for you.”
“Good-by,” said the Dove; “be careful not to fall in again.”
A few days after this, when the Dove was busy building her nest, the Ant saw a man just raising his gun to shoot her.
He ran quickly, and bit the man’s leg so hard that he cried “Oh! oh!” and dropped his gun.
This startled the Dove, and she flew away. The man picked up his gun, and walked on.
When he was gone, the Dove came back to her nest.
“Thank you, my little friend,” she said. “You have saved my life.”
And the little Ant was overjoyed to think he had been able to do for the Dove what the Dove had so lately done for him.
Aesop's Fables: A Version for Young Readers by J.H. Stickney (1915)
What caused the man to walk away without shooting the dove?
Tap to reveal answer
The correct answer is "The ant bit him." This answer can be found in the following lines:
"A few days after this, when the Dove was busy building her nest, the Ant saw a man just raising his gun to shoot her. He ran quickly, and bit the man’s leg so hard that he cried “Oh! oh!” and dropped his gun. This startled the Dove, and she flew away. The man picked up his gun, and walked on."
None of the other choices occur in the story.
The correct answer is "The ant bit him." This answer can be found in the following lines:
"A few days after this, when the Dove was busy building her nest, the Ant saw a man just raising his gun to shoot her. He ran quickly, and bit the man’s leg so hard that he cried “Oh! oh!” and dropped his gun. This startled the Dove, and she flew away. The man picked up his gun, and walked on."
None of the other choices occur in the story.
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One fine day in winter some Ants were busy drying their store of corn, which had got rather damp during a long spell of rain. Presently up came a Grasshopper and begged them to spare her a few grains, "For," she said, "I'm simply starving." The Ants stopped work for a moment, though this was against their principles. "May we ask," said they, "what you were doing with yourself all last summer? Why didn't you collect a store of food for the winter?" "The fact is," replied the Grasshopper, "I was so busy singing that I hadn't the time." "If you spent the summer singing," replied the Ants, "you can't do better than spend the winter dancing." And they chuckled and went on with their work.
Adapted from Aesop's Fables, translated by V.S. Vernon Jones (1912)
What caused the grasshopper's starvation?
One fine day in winter some Ants were busy drying their store of corn, which had got rather damp during a long spell of rain. Presently up came a Grasshopper and begged them to spare her a few grains, "For," she said, "I'm simply starving." The Ants stopped work for a moment, though this was against their principles. "May we ask," said they, "what you were doing with yourself all last summer? Why didn't you collect a store of food for the winter?" "The fact is," replied the Grasshopper, "I was so busy singing that I hadn't the time." "If you spent the summer singing," replied the Ants, "you can't do better than spend the winter dancing." And they chuckled and went on with their work.
Adapted from Aesop's Fables, translated by V.S. Vernon Jones (1912)
What caused the grasshopper's starvation?
Tap to reveal answer
The correct answer is "he spent the summer singing and did not make time to store food." Readers can find this answer in the following lines (after the ants ask why the grasshopper did not store any food for himself): "The fact is," replied the Grasshopper, "I was so busy singing that I hadn't the time." The other options have no support from the passage, so the best choice is "he spent the summer singing and did not make time to store food."
The correct answer is "he spent the summer singing and did not make time to store food." Readers can find this answer in the following lines (after the ants ask why the grasshopper did not store any food for himself): "The fact is," replied the Grasshopper, "I was so busy singing that I hadn't the time." The other options have no support from the passage, so the best choice is "he spent the summer singing and did not make time to store food."
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Japan is a very beautiful country. It is full of fine mountains, with rivers leaping down the steep slopes and dashing over the rocks in snowy waterfalls. At the foot of the hills are rich plains and valleys, well watered by the streams which rush down from the hills. But the mountains are so many and the plains are so few that only a small part of the land can be used for growing crops, and this makes Japan poor. Its climate is not unlike ours in Great Britain, but the summer is hotter, and the winter is in some parts very cold. Many of the mountains are volcanoes. Some of these are still active, and earthquakes often take place. Sometimes these earthquakes do terrible harm. The great earthquake of 1871 killed 10,000 people, injured 20,000, and destroyed 130,000 houses.
The highest mountain of Japan also is the most beautiful, and it is greatly beloved by the Japanese, who regard it as a sacred height. Its name is Fujisan, or Fusi-Yama, and it stands near the sea and the capital city of Tokyo. It is of most beautiful shape, an almost perfect cone, and it springs nearly 13,000 feet into the air. From the sea it forms a most superb and majestic sight. Long before a glimpse can be caught of the shore and the city, the traveller sees the lofty peak, crowned with a glittering crest of snow, rising in lonely majesty, with no hint of the land on which it rests. The Japanese have a great love of natural beauty, and they adore Fujisan. Their artists are never tired of painting it, and pictures of it are to be found in the most distant parts of the land.
Adapted from Peeps at Many Lands: Japan, by John Finnemore (1919)
According to this passage, what was the cause of poverty in Japan?
Japan is a very beautiful country. It is full of fine mountains, with rivers leaping down the steep slopes and dashing over the rocks in snowy waterfalls. At the foot of the hills are rich plains and valleys, well watered by the streams which rush down from the hills. But the mountains are so many and the plains are so few that only a small part of the land can be used for growing crops, and this makes Japan poor. Its climate is not unlike ours in Great Britain, but the summer is hotter, and the winter is in some parts very cold. Many of the mountains are volcanoes. Some of these are still active, and earthquakes often take place. Sometimes these earthquakes do terrible harm. The great earthquake of 1871 killed 10,000 people, injured 20,000, and destroyed 130,000 houses.
The highest mountain of Japan also is the most beautiful, and it is greatly beloved by the Japanese, who regard it as a sacred height. Its name is Fujisan, or Fusi-Yama, and it stands near the sea and the capital city of Tokyo. It is of most beautiful shape, an almost perfect cone, and it springs nearly 13,000 feet into the air. From the sea it forms a most superb and majestic sight. Long before a glimpse can be caught of the shore and the city, the traveller sees the lofty peak, crowned with a glittering crest of snow, rising in lonely majesty, with no hint of the land on which it rests. The Japanese have a great love of natural beauty, and they adore Fujisan. Their artists are never tired of painting it, and pictures of it are to be found in the most distant parts of the land.
Adapted from Peeps at Many Lands: Japan, by John Finnemore (1919)
According to this passage, what was the cause of poverty in Japan?
Tap to reveal answer
The correct answer is "the lack of plains." Readers can find this answer in the following lines: "But the mountains are so many and the plains are so few that only a small part of the land can be used for growing crops, and this makes Japan poor." This is the only mention in the passage of something that causes Japan to be poor. The other options are incorrect, so the best choice is "the lack of plains."
The correct answer is "the lack of plains." Readers can find this answer in the following lines: "But the mountains are so many and the plains are so few that only a small part of the land can be used for growing crops, and this makes Japan poor." This is the only mention in the passage of something that causes Japan to be poor. The other options are incorrect, so the best choice is "the lack of plains."
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Bees live in a house that is called a hive. They are of three kinds,—workers, drones, and queens. Only one queen can live in each hive. If she is lost or dead, the other bees will stop their work. They are very wise and busy little creatures. They all join together to build cells of wax for their honey. Each bee takes its proper place, and does its own work. Some go out and gather honey from the flowers; others stay at home and work inside the hive. The cells which they build, are all of one shape and size, and no room is left between them. The cells are not round, but have six sides. Did you ever look into a glass hive to see the bees while at work? It is pleasant to see how busy they always are. But the drones do not work. Before winter comes, all the drones are driven from the hive or killed, that they may not eat the honey which they did not gather. It is not quite safe for children to handle bees. They have sharp stings that they know well how to use in their defense.
From McGuffey's Second Eclectic Reader by William Holmes McGuffey (1879)
If a queen bee dies, what will happen?
Bees live in a house that is called a hive. They are of three kinds,—workers, drones, and queens. Only one queen can live in each hive. If she is lost or dead, the other bees will stop their work. They are very wise and busy little creatures. They all join together to build cells of wax for their honey. Each bee takes its proper place, and does its own work. Some go out and gather honey from the flowers; others stay at home and work inside the hive. The cells which they build, are all of one shape and size, and no room is left between them. The cells are not round, but have six sides. Did you ever look into a glass hive to see the bees while at work? It is pleasant to see how busy they always are. But the drones do not work. Before winter comes, all the drones are driven from the hive or killed, that they may not eat the honey which they did not gather. It is not quite safe for children to handle bees. They have sharp stings that they know well how to use in their defense.
From McGuffey's Second Eclectic Reader by William Holmes McGuffey (1879)
If a queen bee dies, what will happen?
Tap to reveal answer
The correct answer is "the other bees will stop working." Readers can find this answer in the lines, "Only one queen can live in each hive. If she is lost or dead, the other bees will stop their work." The other answer choices are not supported by anything in the passage, so they are incorrect. The best choice is "the other bees will stop working."
The correct answer is "the other bees will stop working." Readers can find this answer in the lines, "Only one queen can live in each hive. If she is lost or dead, the other bees will stop their work." The other answer choices are not supported by anything in the passage, so they are incorrect. The best choice is "the other bees will stop working."
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Common ducks are about the same size as common fowls. As the duck in a state of nature lives much upon the water, its form is at nearly every point different from the typical form of the fowl. The duck is usually described as boat-shaped, but, while this is a good description, it would be more correct to say that a boat is duck-shaped. The duck was the natural model for the first builders of boats. The feet of a duck are webbed between the forward toes, which makes them more serviceable as paddles in swimming.
Adapted from Our Domestic Birds: Elementary Lesson in Aviculture by John H. Robinson (1913)
According to the passage, how are ducks and fowls similar?
Common ducks are about the same size as common fowls. As the duck in a state of nature lives much upon the water, its form is at nearly every point different from the typical form of the fowl. The duck is usually described as boat-shaped, but, while this is a good description, it would be more correct to say that a boat is duck-shaped. The duck was the natural model for the first builders of boats. The feet of a duck are webbed between the forward toes, which makes them more serviceable as paddles in swimming.
Adapted from Our Domestic Birds: Elementary Lesson in Aviculture by John H. Robinson (1913)
According to the passage, how are ducks and fowls similar?
Tap to reveal answer
The correct answer is "They are similar in size." We know this based on the lines, "Common ducks are about the same size as common fowls." We know that ducks and fowls are very different in shape based on the lines, "As the duck in a state of nature lives much upon the water, its form is at nearly every point different from the typical form of the fowl." There is no mention of fowls having webbed feet or being shaped like boats, and so those answer choices are incorrect. The best choice is "They are similar in size."
The correct answer is "They are similar in size." We know this based on the lines, "Common ducks are about the same size as common fowls." We know that ducks and fowls are very different in shape based on the lines, "As the duck in a state of nature lives much upon the water, its form is at nearly every point different from the typical form of the fowl." There is no mention of fowls having webbed feet or being shaped like boats, and so those answer choices are incorrect. The best choice is "They are similar in size."
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One fine day in winter some Ants were busy drying their store of corn, which had got rather damp during a long spell of rain. Presently up came a Grasshopper and begged them to spare her a few grains, "For," she said, "I'm simply starving." The Ants stopped work for a moment, though this was against their principles. "May we ask," said they, "what you were doing with yourself all last summer? Why didn't you collect a store of food for the winter?" "The fact is," replied the Grasshopper, "I was so busy singing that I hadn't the time." "If you spent the summer singing," replied the Ants, "you can't do better than spend the winter dancing." And they chuckled and went on with their work.
Adapted from Aesop's Fables, translated by V.S. Vernon Jones (1912)
How are the ants different from the grasshopper?
One fine day in winter some Ants were busy drying their store of corn, which had got rather damp during a long spell of rain. Presently up came a Grasshopper and begged them to spare her a few grains, "For," she said, "I'm simply starving." The Ants stopped work for a moment, though this was against their principles. "May we ask," said they, "what you were doing with yourself all last summer? Why didn't you collect a store of food for the winter?" "The fact is," replied the Grasshopper, "I was so busy singing that I hadn't the time." "If you spent the summer singing," replied the Ants, "you can't do better than spend the winter dancing." And they chuckled and went on with their work.
Adapted from Aesop's Fables, translated by V.S. Vernon Jones (1912)
How are the ants different from the grasshopper?
Tap to reveal answer
The correct answer is "The ants are hardworking, while the grasshopper is careless." We know that the ants are hardworking because they have corn stored from the summer to eat during the winter months. In this passage, they are busy working on drying it out, so we know that they are able to work. The grasshopper is careless because he sang and enjoyed himself all summer instead of storing food away. The other answer choices do not make sense based on the events of the story or the descriptions of the characters--we do not know their ages or that the ants are sad, and it seems that the ants are in fact not generous, while the grasshopper is not greedy.
The correct answer is "The ants are hardworking, while the grasshopper is careless." We know that the ants are hardworking because they have corn stored from the summer to eat during the winter months. In this passage, they are busy working on drying it out, so we know that they are able to work. The grasshopper is careless because he sang and enjoyed himself all summer instead of storing food away. The other answer choices do not make sense based on the events of the story or the descriptions of the characters--we do not know their ages or that the ants are sad, and it seems that the ants are in fact not generous, while the grasshopper is not greedy.
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A Lion lay asleep in the forest, his great head resting on his paws. A timid little Mouse came upon him unexpectedly, and in her fright and haste to get away, ran across the Lion's nose. Roused from his nap, the Lion laid his huge paw angrily on the tiny creature to kill her.
"Spare me!" begged the poor Mouse. "Please let me go and some day I will surely repay you."
The Lion was much amused to think that a Mouse could ever help him. But he was generous and finally let the Mouse go.
Some days later, while stalking his prey in the forest, the Lion was caught in the toils of a hunter's net. Unable to free himself, he filled the forest with his angry roaring. The Mouse knew the voice and quickly found the Lion struggling in the net. Running to one of the great ropes that bound him, she gnawed it until it parted, and soon the Lion was free.
"You laughed when I said I would repay you," said the Mouse. "Now you see that even a Mouse can help a Lion."
Adapted rom The Aesop for Children, by Aesop (1919 ed.)
How are the lion and mouse different?
A Lion lay asleep in the forest, his great head resting on his paws. A timid little Mouse came upon him unexpectedly, and in her fright and haste to get away, ran across the Lion's nose. Roused from his nap, the Lion laid his huge paw angrily on the tiny creature to kill her.
"Spare me!" begged the poor Mouse. "Please let me go and some day I will surely repay you."
The Lion was much amused to think that a Mouse could ever help him. But he was generous and finally let the Mouse go.
Some days later, while stalking his prey in the forest, the Lion was caught in the toils of a hunter's net. Unable to free himself, he filled the forest with his angry roaring. The Mouse knew the voice and quickly found the Lion struggling in the net. Running to one of the great ropes that bound him, she gnawed it until it parted, and soon the Lion was free.
"You laughed when I said I would repay you," said the Mouse. "Now you see that even a Mouse can help a Lion."
Adapted rom The Aesop for Children, by Aesop (1919 ed.)
How are the lion and mouse different?
Tap to reveal answer
The correct answer is "The lion is a predator while the mouse is prey." Based on the events in the story, it is clear that the lion is strong and capable of killing and eating the mouse. In the beginning of the story, the lion almost does this, but lets the mouse go instead, laughing at the idea that the mouse may help him later. This shows us that the mouse is small and helpless. The other answer choices do not make sense based on the story, so the best choice is "the lion is a predator while the mouse is prey."
The correct answer is "The lion is a predator while the mouse is prey." Based on the events in the story, it is clear that the lion is strong and capable of killing and eating the mouse. In the beginning of the story, the lion almost does this, but lets the mouse go instead, laughing at the idea that the mouse may help him later. This shows us that the mouse is small and helpless. The other answer choices do not make sense based on the story, so the best choice is "the lion is a predator while the mouse is prey."
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Japan is a very beautiful country. It is full of fine mountains, with rivers leaping down the steep slopes and dashing over the rocks in snowy waterfalls. At the foot of the hills are rich plains and valleys, well watered by the streams which rush down from the hills. But the mountains are so many and the plains are so few that only a small part of the land can be used for growing crops, and this makes Japan poor. Its climate is not unlike ours in Great Britain, but the summer is hotter, and the winter is in some parts very cold. Many of the mountains are volcanoes. Some of these are still active, and earthquakes often take place. Sometimes these earthquakes do terrible harm. The great earthquake of 1871 killed 10,000 people, injured 20,000, and destroyed 130,000 houses.
The highest mountain of Japan also is the most beautiful, and it is greatly beloved by the Japanese, who regard it as a sacred height. Its name is Fujisan, or Fusi-Yama, and it stands near the sea and the capital city of Tokyo. It is of most beautiful shape, an almost perfect cone, and it springs nearly 13,000 feet into the air. From the sea it forms a most superb and majestic sight. Long before a glimpse can be caught of the shore and the city, the traveller sees the lofty peak, crowned with a glittering crest of snow, rising in lonely majesty, with no hint of the land on which it rests. The Japanese have a great love of natural beauty, and they adore Fujisan. Their artists are never tired of painting it, and pictures of it are to be found in the most distant parts of the land.
Adapted from Peeps at Many Lands: Japan, by John Finnemore (1919)
According to the passage, how is the climate of Japan unlike the climate of Great Britain?
Japan is a very beautiful country. It is full of fine mountains, with rivers leaping down the steep slopes and dashing over the rocks in snowy waterfalls. At the foot of the hills are rich plains and valleys, well watered by the streams which rush down from the hills. But the mountains are so many and the plains are so few that only a small part of the land can be used for growing crops, and this makes Japan poor. Its climate is not unlike ours in Great Britain, but the summer is hotter, and the winter is in some parts very cold. Many of the mountains are volcanoes. Some of these are still active, and earthquakes often take place. Sometimes these earthquakes do terrible harm. The great earthquake of 1871 killed 10,000 people, injured 20,000, and destroyed 130,000 houses.
The highest mountain of Japan also is the most beautiful, and it is greatly beloved by the Japanese, who regard it as a sacred height. Its name is Fujisan, or Fusi-Yama, and it stands near the sea and the capital city of Tokyo. It is of most beautiful shape, an almost perfect cone, and it springs nearly 13,000 feet into the air. From the sea it forms a most superb and majestic sight. Long before a glimpse can be caught of the shore and the city, the traveller sees the lofty peak, crowned with a glittering crest of snow, rising in lonely majesty, with no hint of the land on which it rests. The Japanese have a great love of natural beauty, and they adore Fujisan. Their artists are never tired of painting it, and pictures of it are to be found in the most distant parts of the land.
Adapted from Peeps at Many Lands: Japan, by John Finnemore (1919)
According to the passage, how is the climate of Japan unlike the climate of Great Britain?
Tap to reveal answer
The correct answer is "the climate is more extreme." Readers can find this answer by reading the lines, "its climate is not unlike ours in Great Britain, but the summer is hotter, and the winter is in some parts very cold." If the climate is more hot and more cold, that means it is more extreme. The other answers are not true based on this quotation. For those reasons, the best choice is "the climate is more extreme."
The correct answer is "the climate is more extreme." Readers can find this answer by reading the lines, "its climate is not unlike ours in Great Britain, but the summer is hotter, and the winter is in some parts very cold." If the climate is more hot and more cold, that means it is more extreme. The other answers are not true based on this quotation. For those reasons, the best choice is "the climate is more extreme."
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What is an Insect? When we remember that the insects alone comprise four-fifths of the animal kingdom, and that there are upwards of 200,000 living species, it would seem a hopeless task to define what an insect is. But a common plan pervades the structure of them all. The bodies of all insects consist of a succession of rings, or segments, more or less hardened by the deposition of a chemical substance called chitine; these rings are arranged in three groups: the head, the thorax or middle body, and the abdomen or hind body. In the six-footed insects, such as the bee, moth, beetle or dragon fly, four of these rings unite early in embryonic life to form the head; the thorax consists of three, as may be readily seen on slight examination, and the abdomen is composed either of ten or eleven rings. The body, then, seems divided or insected into three regions, whence the name insect.
Adapted from Our Common Insects: A Popular Account of the Insects of our Fields, Forests, Gardens and Houses. By A. S. Packard, Jr. (1873)
Why does the author argue that it is hard to define insects?
What is an Insect? When we remember that the insects alone comprise four-fifths of the animal kingdom, and that there are upwards of 200,000 living species, it would seem a hopeless task to define what an insect is. But a common plan pervades the structure of them all. The bodies of all insects consist of a succession of rings, or segments, more or less hardened by the deposition of a chemical substance called chitine; these rings are arranged in three groups: the head, the thorax or middle body, and the abdomen or hind body. In the six-footed insects, such as the bee, moth, beetle or dragon fly, four of these rings unite early in embryonic life to form the head; the thorax consists of three, as may be readily seen on slight examination, and the abdomen is composed either of ten or eleven rings. The body, then, seems divided or insected into three regions, whence the name insect.
Adapted from Our Common Insects: A Popular Account of the Insects of our Fields, Forests, Gardens and Houses. By A. S. Packard, Jr. (1873)
Why does the author argue that it is hard to define insects?
Tap to reveal answer
The correct answer is "because they are so numerous." The author begins the passage by stating that insects make up 4/5 of the animal kingdom, of which there are more than 200,000 living species. That would mean that around 160,000 of the are insect species. The author does not mention that they are small or misunderstood. The author explicitly states that insects have a common structure, which makes that answer choice incorrect.
The correct answer is "because they are so numerous." The author begins the passage by stating that insects make up 4/5 of the animal kingdom, of which there are more than 200,000 living species. That would mean that around 160,000 of the are insect species. The author does not mention that they are small or misunderstood. The author explicitly states that insects have a common structure, which makes that answer choice incorrect.
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"What am I going to do without you, Marjorie?" Mary Raymond's blue eyes looked suspiciously misty as she solemnly regarded her chum.
"What am I going to do without you, you mean," corrected Marjorie Dean, with a wistful smile. "Please, please don't let's talk of it. I simply can't bear it."
"One, two—only two more weeks now," sighed Mary. "You'll surely write to me, Marjorie?"
"Of course, silly girl," returned Marjorie, patting her friend's arm affectionately. "I'll write at least once a week."
Adapted from Marjorie Dean: High School Freshman, by Pauline Lester (1917)
Which of the following lines from the passage provide evidence a strong friendship?
"What am I going to do without you, Marjorie?" Mary Raymond's blue eyes looked suspiciously misty as she solemnly regarded her chum.
"What am I going to do without you, you mean," corrected Marjorie Dean, with a wistful smile. "Please, please don't let's talk of it. I simply can't bear it."
"One, two—only two more weeks now," sighed Mary. "You'll surely write to me, Marjorie?"
"Of course, silly girl," returned Marjorie, patting her friend's arm affectionately. "I'll write at least once a week."
Adapted from Marjorie Dean: High School Freshman, by Pauline Lester (1917)
Which of the following lines from the passage provide evidence a strong friendship?
Tap to reveal answer
The correct answer is "all of the other choices." All of the answer choices contain details that show how affectionate the relationship between the two girls is. Their words and actions all provide evidence of how strong their friendship is, and how much the girls care for each other. Therefore, the best choice is "all of the other choices."
The correct answer is "all of the other choices." All of the answer choices contain details that show how affectionate the relationship between the two girls is. Their words and actions all provide evidence of how strong their friendship is, and how much the girls care for each other. Therefore, the best choice is "all of the other choices."
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Japan is a very beautiful country. It is full of fine mountains, with rivers leaping down the steep slopes and dashing over the rocks in snowy waterfalls. At the foot of the hills are rich plains and valleys, well watered by the streams which rush down from the hills. But the mountains are so many and the plains are so few that only a small part of the land can be used for growing crops, and this makes Japan poor. Its climate is not unlike ours in Great Britain, but the summer is hotter, and the winter is in some parts very cold. Many of the mountains are volcanoes. Some of these are still active, and earthquakes often take place. Sometimes these earthquakes do terrible harm. The great earthquake of 1871 killed 10,000 people, injured 20,000, and destroyed 130,000 houses.
The highest mountain of Japan also is the most beautiful, and it is greatly beloved by the Japanese, who regard it as a sacred height. Its name is Fujisan, or Fusi-Yama, and it stands near the sea and the capital city of Tokyo. It is of most beautiful shape, an almost perfect cone, and it springs nearly 13,000 feet into the air. From the sea it forms a most superb and majestic sight. Long before a glimpse can be caught of the shore and the city, the traveller sees the lofty peak, crowned with a glittering crest of snow, rising in lonely majesty, with no hint of the land on which it rests. The Japanese have a great love of natural beauty, and they adore Fujisan. Their artists are never tired of painting it, and pictures of it are to be found in the most distant parts of the land.
Adapted from Peeps at Many Lands: Japan, by John Finnemore (1919)
Which of the following ideas from the passage is evidence that the Japanese people love natural beauty?
Japan is a very beautiful country. It is full of fine mountains, with rivers leaping down the steep slopes and dashing over the rocks in snowy waterfalls. At the foot of the hills are rich plains and valleys, well watered by the streams which rush down from the hills. But the mountains are so many and the plains are so few that only a small part of the land can be used for growing crops, and this makes Japan poor. Its climate is not unlike ours in Great Britain, but the summer is hotter, and the winter is in some parts very cold. Many of the mountains are volcanoes. Some of these are still active, and earthquakes often take place. Sometimes these earthquakes do terrible harm. The great earthquake of 1871 killed 10,000 people, injured 20,000, and destroyed 130,000 houses.
The highest mountain of Japan also is the most beautiful, and it is greatly beloved by the Japanese, who regard it as a sacred height. Its name is Fujisan, or Fusi-Yama, and it stands near the sea and the capital city of Tokyo. It is of most beautiful shape, an almost perfect cone, and it springs nearly 13,000 feet into the air. From the sea it forms a most superb and majestic sight. Long before a glimpse can be caught of the shore and the city, the traveller sees the lofty peak, crowned with a glittering crest of snow, rising in lonely majesty, with no hint of the land on which it rests. The Japanese have a great love of natural beauty, and they adore Fujisan. Their artists are never tired of painting it, and pictures of it are to be found in the most distant parts of the land.
Adapted from Peeps at Many Lands: Japan, by John Finnemore (1919)
Which of the following ideas from the passage is evidence that the Japanese people love natural beauty?
Tap to reveal answer
The correct answer is "Artists are never tired of painting \[Fujisan\], and pictures of it are to be found in the most distant parts of the land." This is evidence of the people's love for the mountain; they paint it so often that it images of it have spread all of over the nation. The other answer choices are details that are unrelated to the people's love of natural beauty, or are statements that reflect the opinion of the author. For those reasons, the best choice is "Artists are never tired of painting \[Fujisan\], and pictures of it are to be found in the most distant parts of the land."
The correct answer is "Artists are never tired of painting \[Fujisan\], and pictures of it are to be found in the most distant parts of the land." This is evidence of the people's love for the mountain; they paint it so often that it images of it have spread all of over the nation. The other answer choices are details that are unrelated to the people's love of natural beauty, or are statements that reflect the opinion of the author. For those reasons, the best choice is "Artists are never tired of painting \[Fujisan\], and pictures of it are to be found in the most distant parts of the land."
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I was a wild little girl of seven. Loosely clad in a slip of brown buckskin, and light-footed with a pair of soft moccasins on my feet, I was as free as the wind that blew my hair, and no less spirited than a bounding deer. These were my mother's pride,--my wild freedom and overflowing spirits. She taught me no fear save that of intruding myself upon others.
Having gone many paces ahead I stopped, panting for breath, and laughing with glee as my mother watched my every movement. I was not wholly conscious of myself, but was more keenly alive to the fire within. It was as if I were the activity, and my hands and feet were only experiments for my spirit to work upon.
Returning from the river, I tugged beside my mother, with my hand upon the bucket I believed I was carrying. One time, on such a return, I remember a bit of conversation we had. My grown-up cousin, Warca-Ziwin (Sunflower) always went to the river alone for water for her mother. Their wigwam was not far from ours; and I saw her daily going to and from the river. I admired my cousin greatly. So I said: "Mother, when I am tall as my cousin Warca-Ziwin, you shall not have to come for water. I will do it for you."
Adapted from Zitkala Sa's "Impressions of an Indian Childhood" (1900)
Why does the speaker want to retrieve water for her mother some day?
I was a wild little girl of seven. Loosely clad in a slip of brown buckskin, and light-footed with a pair of soft moccasins on my feet, I was as free as the wind that blew my hair, and no less spirited than a bounding deer. These were my mother's pride,--my wild freedom and overflowing spirits. She taught me no fear save that of intruding myself upon others.
Having gone many paces ahead I stopped, panting for breath, and laughing with glee as my mother watched my every movement. I was not wholly conscious of myself, but was more keenly alive to the fire within. It was as if I were the activity, and my hands and feet were only experiments for my spirit to work upon.
Returning from the river, I tugged beside my mother, with my hand upon the bucket I believed I was carrying. One time, on such a return, I remember a bit of conversation we had. My grown-up cousin, Warca-Ziwin (Sunflower) always went to the river alone for water for her mother. Their wigwam was not far from ours; and I saw her daily going to and from the river. I admired my cousin greatly. So I said: "Mother, when I am tall as my cousin Warca-Ziwin, you shall not have to come for water. I will do it for you."
Adapted from Zitkala Sa's "Impressions of an Indian Childhood" (1900)
Why does the speaker want to retrieve water for her mother some day?
Tap to reveal answer
The correct answer is "She sees her older cousin doing it, and feels it is a mark of maturity and responsibility." We know this based on the lines: "I saw her daily going to and from the river. I admired my cousin greatly." There is no sign from the passage at the speaker's mother is sick or losing her strength. There is also no mention of socializing or earning money.
The correct answer is "She sees her older cousin doing it, and feels it is a mark of maturity and responsibility." We know this based on the lines: "I saw her daily going to and from the river. I admired my cousin greatly." There is no sign from the passage at the speaker's mother is sick or losing her strength. There is also no mention of socializing or earning money.
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I was a wild little girl of seven. Loosely clad in a slip of brown buckskin, and light-footed with a pair of soft moccasins on my feet, I was as free as the wind that blew my hair, and no less spirited than a bounding deer. These were my mother's pride,--my wild freedom and overflowing spirits. She taught me no fear save that of intruding myself upon others.
Having gone many paces ahead I stopped, panting for breath, and laughing with glee as my mother watched my every movement. I was not wholly conscious of myself, but was more keenly alive to the fire within. It was as if I were the activity, and my hands and feet were only experiments for my spirit to work upon.
Returning from the river, I tugged beside my mother, with my hand upon the bucket I believed I was carrying. One time, on such a return, I remember a bit of conversation we had. My grown-up cousin, Warca-Ziwin (Sunflower) always went to the river alone for water for her mother. Their wigwam was not far from ours; and I saw her daily going to and from the river. I admired my cousin greatly. So I said: "Mother, when I am tall as my cousin Warca-Ziwin, you shall not have to come for water. I will do it for you."
Adapted from Zitkala Sa's "Impressions of an Indian Childhood" (1900)
How does the mother feel about the speaker's free-spirited nature?
I was a wild little girl of seven. Loosely clad in a slip of brown buckskin, and light-footed with a pair of soft moccasins on my feet, I was as free as the wind that blew my hair, and no less spirited than a bounding deer. These were my mother's pride,--my wild freedom and overflowing spirits. She taught me no fear save that of intruding myself upon others.
Having gone many paces ahead I stopped, panting for breath, and laughing with glee as my mother watched my every movement. I was not wholly conscious of myself, but was more keenly alive to the fire within. It was as if I were the activity, and my hands and feet were only experiments for my spirit to work upon.
Returning from the river, I tugged beside my mother, with my hand upon the bucket I believed I was carrying. One time, on such a return, I remember a bit of conversation we had. My grown-up cousin, Warca-Ziwin (Sunflower) always went to the river alone for water for her mother. Their wigwam was not far from ours; and I saw her daily going to and from the river. I admired my cousin greatly. So I said: "Mother, when I am tall as my cousin Warca-Ziwin, you shall not have to come for water. I will do it for you."
Adapted from Zitkala Sa's "Impressions of an Indian Childhood" (1900)
How does the mother feel about the speaker's free-spirited nature?
Tap to reveal answer
The correct answer is "she is proud." The passage states, "I was as free as the wind that blew my hair, and no less spirited than a bounding deer. These were my mother's pride,--my wild freedom and overflowing spirits." There is nothing to show that the mother is afraid or embarrassed by the speaker's free-spirit, and indifference contradicts the quotation provided above.
The correct answer is "she is proud." The passage states, "I was as free as the wind that blew my hair, and no less spirited than a bounding deer. These were my mother's pride,--my wild freedom and overflowing spirits." There is nothing to show that the mother is afraid or embarrassed by the speaker's free-spirit, and indifference contradicts the quotation provided above.
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I was born in the working-class. Early I discovered enthusiasm, ambition, and ideals; and to satisfy these became the problem of my child-life. My environment was crude and rough and raw. I had no outlook, but an uplook rather. My place in society was at the bottom. Here life offered nothing but sordidness and wretchedness, both of the flesh and the spirit; for here flesh and spirit were alike starved and tormented.
Above me towered the colossal edifice of society, and to my mind the only way out was up. Into this edifice I early resolved to climb. … In short, as I accepted the rising of the sun, I accepted that up above me was all that was fine and noble and gracious, all that gave decency and dignity to life, all that made life worth living and that remunerated one for his travail and misery.
Adapted from "What Life Means to Me" by Jack London (1909)
According to the text, when did the speaker become interested in rising to a higher class?
I was born in the working-class. Early I discovered enthusiasm, ambition, and ideals; and to satisfy these became the problem of my child-life. My environment was crude and rough and raw. I had no outlook, but an uplook rather. My place in society was at the bottom. Here life offered nothing but sordidness and wretchedness, both of the flesh and the spirit; for here flesh and spirit were alike starved and tormented.
Above me towered the colossal edifice of society, and to my mind the only way out was up. Into this edifice I early resolved to climb. … In short, as I accepted the rising of the sun, I accepted that up above me was all that was fine and noble and gracious, all that gave decency and dignity to life, all that made life worth living and that remunerated one for his travail and misery.
Adapted from "What Life Means to Me" by Jack London (1909)
According to the text, when did the speaker become interested in rising to a higher class?
Tap to reveal answer
The correct answer is "as a child." We know that he first became interested in rising to a higher class as a child because of the lines "Early I discovered enthusiasm, ambition, and ideals; and to satisfy these became the problem of my child-life." Additionally, the lines "Above me towered the colossal edifice of society, and to my mind the only way out was up. Into this edifice I early resolved to climb" provide insight. Here, the word "early" shows us that he started having these thoughts when he was a young child rather than a teenager, adult, or older man.
The correct answer is "as a child." We know that he first became interested in rising to a higher class as a child because of the lines "Early I discovered enthusiasm, ambition, and ideals; and to satisfy these became the problem of my child-life." Additionally, the lines "Above me towered the colossal edifice of society, and to my mind the only way out was up. Into this edifice I early resolved to climb" provide insight. Here, the word "early" shows us that he started having these thoughts when he was a young child rather than a teenager, adult, or older man.
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At the little town of Vevey, in Switzerland, there is a particularly comfortable hotel. There are, indeed, many hotels, for the entertainment of tourists is the business of the place, which, as many travelers will remember, is seated upon the edge of a remarkably blue lake—a lake that it behooves every tourist to visit. The shore of the lake presents an unbroken array of establishments of this order, of every category, from the "grand hotel" of the newest fashion, with a chalk-white front, a hundred balconies, and a dozen flags flying from its roof, to the little Swiss pension of an elder day, with its name inscribed in German-looking lettering upon a pink or yellow wall and an awkward summerhouse in the angle of the garden. One of the hotels at Vevey, however, is famous, even classical, being distinguished from many of its upstart neighbors by an air both of luxury and of maturity. In this region, in the month of June, American travelers are extremely numerous; it may be said, indeed, that Vevey assumes at this period some of the characteristics of an American watering place. There are sights and sounds which evoke a vision, an echo, of Newport and Saratoga. There is a flitting hither and thither of "stylish" young girls, a rustling of muslin flounces, a rattle of dance music in the morning hours, a sound of high-pitched voices at all times. You receive an impression of these things at the excellent inn of the "Trois Couronnes" and are transported in fancy to the Ocean House or to Congress Hall. But at the "Trois Couronnes," it must be added, there are other features that are much at variance with these suggestions: neat German waiters, who look like secretaries of legation; Russian princesses sitting in the garden; little Polish boys walking about held by the hand, with their governors; a view of the sunny crest of the Dent du Midi and the picturesque towers of the Castle of Chillon.
Adapted from "Daisy Miller: A Study" by Henry James, 1879.
One of the main tourist attractions of Vevey is .
At the little town of Vevey, in Switzerland, there is a particularly comfortable hotel. There are, indeed, many hotels, for the entertainment of tourists is the business of the place, which, as many travelers will remember, is seated upon the edge of a remarkably blue lake—a lake that it behooves every tourist to visit. The shore of the lake presents an unbroken array of establishments of this order, of every category, from the "grand hotel" of the newest fashion, with a chalk-white front, a hundred balconies, and a dozen flags flying from its roof, to the little Swiss pension of an elder day, with its name inscribed in German-looking lettering upon a pink or yellow wall and an awkward summerhouse in the angle of the garden. One of the hotels at Vevey, however, is famous, even classical, being distinguished from many of its upstart neighbors by an air both of luxury and of maturity. In this region, in the month of June, American travelers are extremely numerous; it may be said, indeed, that Vevey assumes at this period some of the characteristics of an American watering place. There are sights and sounds which evoke a vision, an echo, of Newport and Saratoga. There is a flitting hither and thither of "stylish" young girls, a rustling of muslin flounces, a rattle of dance music in the morning hours, a sound of high-pitched voices at all times. You receive an impression of these things at the excellent inn of the "Trois Couronnes" and are transported in fancy to the Ocean House or to Congress Hall. But at the "Trois Couronnes," it must be added, there are other features that are much at variance with these suggestions: neat German waiters, who look like secretaries of legation; Russian princesses sitting in the garden; little Polish boys walking about held by the hand, with their governors; a view of the sunny crest of the Dent du Midi and the picturesque towers of the Castle of Chillon.
Adapted from "Daisy Miller: A Study" by Henry James, 1879.
One of the main tourist attractions of Vevey is .
Tap to reveal answer
The passage states that "the business of the place...." is a "remarkably blue lake—a lake that it behooves every tourist to visit." There is no mention of any other bodies of water. That is why the correct answer is "a lake."
The passage states that "the business of the place...." is a "remarkably blue lake—a lake that it behooves every tourist to visit." There is no mention of any other bodies of water. That is why the correct answer is "a lake."
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What is an Insect? When we remember that the insects alone comprise four-fifths of the animal kingdom, and that there are upwards of 200,000 living species, it would seem a hopeless task to define what an insect is. But a common plan pervades the structure of them all. The bodies of all insects consist of a succession of rings, or segments, more or less hardened by the deposition of a chemical substance called chitine; these rings are arranged in three groups: the head, the thorax or middle body, and the abdomen or hind body. In the six-footed insects, such as the bee, moth, beetle or dragon fly, four of these rings unite early in embryonic life to form the head; the thorax consists of three, as may be readily seen on slight examination, and the abdomen is composed either of ten or eleven rings. The body, then, seems divided or insected into three regions, whence the name insect.
Adapted from Our Common Insects: A Popular Account of the Insects of our Fields, Forests, Gardens and Houses. By A. S. Packard, Jr. (1873)
What name is given to an insect's middle body?
What is an Insect? When we remember that the insects alone comprise four-fifths of the animal kingdom, and that there are upwards of 200,000 living species, it would seem a hopeless task to define what an insect is. But a common plan pervades the structure of them all. The bodies of all insects consist of a succession of rings, or segments, more or less hardened by the deposition of a chemical substance called chitine; these rings are arranged in three groups: the head, the thorax or middle body, and the abdomen or hind body. In the six-footed insects, such as the bee, moth, beetle or dragon fly, four of these rings unite early in embryonic life to form the head; the thorax consists of three, as may be readily seen on slight examination, and the abdomen is composed either of ten or eleven rings. The body, then, seems divided or insected into three regions, whence the name insect.
Adapted from Our Common Insects: A Popular Account of the Insects of our Fields, Forests, Gardens and Houses. By A. S. Packard, Jr. (1873)
What name is given to an insect's middle body?
Tap to reveal answer
The correct answer is "thorax." Readers can find this answer in the text in the line "these rings are arranged in three groups: the head, the thorax or middle body, and the abdomen or hind body." The author renamed the thorax, defining it as the middle body in these lines. "Chitine" is a chemical substance and the other choices are different body parts.
The correct answer is "thorax." Readers can find this answer in the text in the line "these rings are arranged in three groups: the head, the thorax or middle body, and the abdomen or hind body." The author renamed the thorax, defining it as the middle body in these lines. "Chitine" is a chemical substance and the other choices are different body parts.
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